Showing posts with label approach. Show all posts
Showing posts with label approach. Show all posts

Feb 11, 2012

First Comes Love, Then Comes...? - Part 1


Last Thursday, some friends and I attended a discussion at the 6th and I synagogue featuring Kate Bolick, author of the provocative Atlantic article, “All the Single Ladies.” Whether you’re single or not, I recommend the read. Bolick touches upon interesting trends in our society and asks some important questions about the role and meaning of marriage today.

The panel discussion covered a range of issues related to singledom and declining marriage rates, from the socioeconomic factors that have shifted the place of marriage in our society to the rise of the hookup culture to the growing gaggle of TV shows that reflect the lives of the urban young and restless (including a new show Bolick's piece inspired) . Like Bolick’s article, the discussion gave rise to many more questions than answers for me. Doing a bit of my own research on the various reactions to Bolick’s piece (from the single sisterhood as well as from the Christian conservative), I concluded that every response to her piece is colored by the writer’s own attitudes, experiences and neuroses regarding romantic love and relationships. This post doesn’t promise to be any different.

And with that, onto some of my biggest takeaways and questions from the article/discussion:

How are we defining our options? To kick off the discussion, the moderator asked, by show of hands, how many in the audience were single. She defined single as “not being married.” This broad definition of being single surprised me, especially since this talk concerned the waning desire to follow the traditional romantic trajectory that concludes in marriage (probably because most in our society actually conclude in divorce). To me, being single means being uncommitted to a particular person, not not married.

Although there are declining numbers of couples taking matrimonial vows today, I still think domestic partnership between two people (as opposed to communes or other alternative living arrangements, as Bolick alludes to) will remain the aspiration of expressing romantic love for quite some time. So if we’re talking about women deciding against marriage, why not broaden the scope to include women in loving, fulfilling but unmarried relationships too? This undoubtedly complicates the discussion about the decline of traditional marriage, no longer answerable by indicating the lack of “marriage-able” men in the dating pool. At one point, Bolick admits that if Mr. Right came along, she would get married - meaning marriage remains the ultimate expression of a couple’s commitment and love for one another.

Even the terms available to describe your significant other are limited. “Girl/Boyfriend” becomes slightly juvenile once you reach your late twenties/early thirties and have been in a loving, committed relationship with someone for many years. Though the terms “husband” and “wife” are being used in gay and lesbian marriages, the term “partner” still mainly carries the connotation of a same-sex relationship. My friend Pete (who introduced me to Bolick’s article) suggested the term “lover”, which to me sounds wonderfully sexy but implies more of a physical connection than an emotional one. I’d read once of a woman who used the term “fiancĂ©” for her significant other, though they weren’t actually engaged to be married. But my friend Alex pointed out that using that term is likely to engender questions about when the Big Day is. So that’s awkward. I have another friend who uses the term “wife”, even though they aren’t actually married. Also slightly awkward. And “significant other” or “my better half” are just plain wordy to use all the time.

So I’m wondering, when is our vocabulary going to catch up to the reality that other meaningful options exist between being married or unmarried?

To be continued tomorrow in Part 2...

Feb 5, 2012

Visual Storytelling from Africa

My friend Steph has been encouraging me to check out Hornlight, a relatively new site that serves as "a platform to share diverse, complex and nuanced narratives on the Horn of Africa". I finally did and was blown away. Hornlight exhibits the range and the depth of stories from the communities of the Horn of Africa, which fail to be represented accurately in mainstream media.

Especially of interest to me was a series discussing how photographic images (particularly in the news) can continue a harmful, shallow narrative about the most pressing issues in the region, such as famine. We know that spending more time with a subject allows a more complex visual story to be told but so often the 24-hour news cycle demands quantity over quality. Feed your brain with something more nourishing. I recommend starting here.


Life Without Lights from Peter DiCampo on Vimeo.

(not from Hornlight nor the region, but an interesting and well-done short video on "Life Without Lights" in Ghana...)

Oct 24, 2011

Souvenirs and Snapshots

After a passport and a ticket, the next important thing most people pack when preparing to travel is a camera.

As I ready myself for my upcoming trip to Sri Lanka, resurfacing within me are questions of the relationship between travel and taking photos. Why do we (at least I do) feel compelled to document the journey rather than simply enjoy it? Are those activities mutually exclusive? How do our photos of new destinations reflect our approach to traveling?

In On Photography, Susan Sontag writes, “The…industrialization of camera technology only carried out a promise inherent in photography from its very beginning: to democratize all experiences by translating them into images.” Though our current state of visual overload has exposed much of the world to many realities both near and far that might otherwise remain unseen, I don’t think that all experiences can be reduced to their visual components. Just like with eyes, new places and cultures are probed using our hands, our nostrils, our ears and our tongues. We form our conceptions of a place and its personality based on the story our senses, and our past, tells us. That story, I truly believe, is different for every individual soul on the planet.

Thus, I think that the circumstances in which one finds themselves composing a photograph or experiencing an emotional response to viewing a photograph is truly unique to each person. 

Take for instance, the Eiffel Tower. Once considered an eyesore (perhaps still is by some), this structure must be one of the most photographed in the world. There are certainly hundreds of similar photos of the Eiffel Tower in existence, but none are identical.


Where two photographers may want to highlight structural details...

another two may be focused on the angle... 

 

or the mood...
 

... and yet another two may want to capture the unmistakeable spectacle that underscores why Paris is called the City of Light.


In addition to these, some of my other favorites of La Tour Eiffel are here, here and here.

Perspectives are always different. The Eiffel Tower may be one thing, but aiming a lens at people from the countries we visit is still a bit of a gray area for me. I suppose, as always, it depends on the intent... Travel writer Pico Iyer writes, "We are objects of scrutiny as much as the people we scrutinize... and we are being consumed by the cultures we consume." I think delving into that might have to wait until another blog post...

What are your thoughts? Do you break out the camera often while on travel or do you prefer to sit back and soak in your surroundings? What do you think the purpose of taking photos while traveling is? Do you agree with Sontag's statement, below?

"...Essentially the camera makes everyone a tourist in other people's reality, and eventually in one's own"   - Susan Sontag, On Photograph



(photo credit, top to bottom: photosnocturnes, boyan photography, skantzman, patrickmayon, ianbramhamhampshire girl, timur yalcin, the workroom)

Jul 10, 2011

Fly!



"And this I believe: that the free, exploring mind of the individual human being is the most valuable thing in the world... I can understand why a system built on a pattern must try to destroy the free mind, for that is one thing which can by inspection destroy such a system. Surely I can understand this, and I hate it and I will fight against it to preserve the one thing that separates us from the uncreative beasts. If the glory can be killed, we are lost" - John Steinbeck

My friend Pete lent me his copy of Steinbeck's East of Eden, which I've been slowly making my way through over the past couple weeks. I read the above passage yesterday which particularly struck a chord with me, as I prepare (read: cram) for the GRE next Saturday. I've never been particularly good at standardized testing but understand its utility. At least Kaplan is telling me to. Funny true quote from my Kaplan study guide, "Too many people think of standardized tests as cruel exercises in futility, as the oppressive instruments of a faceless societal machine. People who think this way usually don't do very well on these tests". Yikes - got it.

What are your thoughts on standardized testing? What value do you think it has, if any? I'm curious to hear your thoughts!

Just a note - my activity on this blog for the next week will be minimal. Catch you on the flip side and in the meantime, let your free minds soar!

(photo credit: unknown)

Jun 7, 2011

Unlocking Creativity

 
I'm the kind of person that needs to be inspired in order to be drawn to action. When it comes to work or study, this usually means being one of those people who "work well under pressure", aka a procrastinator. Today I was feeling utterly uninspired which led me to think more about what provokes my photography.

For all photographers, I think there are just those moments when you look through the viewfinder and you think, that's it. Well, that's pretty much my process 98 percent of the time. Something colorful, patterned or shiny catches my eye, and I try to figure out the best way to reveal the inner delicate beauty of that thing.

Walking towards the Metro today I passed the fountain at the station entrance, as I always do. At the bottom of the fountain, I noticed this swirl of white foamy water that reminded me of a smooth slab of agate. So unexpected and so pretty.



What helps, aside from lots of photo shooting, is browsing the work of photographers you admire. Every photographer has a different style and approach, some which may speak to you more than others.

A photographer whose work speaks to me is Max Wanger. His latest blog post gives a much more poetic - and succinct - piece of advice on sources of inspiration: just jump.